Namaste, how can we learn at least a few names from the Guhya Ucchista Ganapati Sahasranam? Will this Sahasranam remain hidden from almost all people for an indefinite period of time? Why does Ganapati make no distinction between a devotee and an enemy? Does he allow himself to be used even against his devotees? Thank you.

I will clarify about protection. There is no greater protection than the lotus feet of Lalitā, but there is a long way to go before you can touch the lotus feet of Mahā Tripurasundari. She is the Supreme Goddess in Tantric form. It needs Siddhi, it needs great effort and Tapasya. Devotion alone here is useless. You will be unprotected until you reach Siddhi. You must seek the help of Mahā Varahi throughout the journey to perfection. The Divine Mother Mahā Pratyaṅgirā must be activated when you are the target of Black Magic using Astravidyā or Paravidya. Ucchista Ganapati is big problem. He is the favorite deity of the Aghoris because he can only be stopped by Lalitā (Siddhi) or Mahā Pratyaṅgirā. This Ucchista Ganapati can be abused and is something difficult to deal with. Ucchista Ganapati, when used for good, helps to understand Lalitā. He is the last hope for those who still don't understand Lalitā even after practicing other advanced Vidyas. After reaching the perfection of Lalitā, nothing bad can touch you. Before anyone mentions the Lalitā Sahasranāma, Lord Hayagrīva told Agastya the number of repetitions for the Siddhi of Lalitā (multiply by four in this Kaliyuga). Agastya had already practiced the necessary repetitions.

Perhaps one of the worst evils a devotee can do is to use Ucchista Ganapati to perform black magic. Know that there is no defense for this type of attack. Ucchista Ganapati doesn't care even if the devotee himself curses him. He just can easily kill someone as if he were an innocent child. Only Maha Pratyangira could handle this. That is why the Guhya Nama Ucchista Ganapati Sahasranama remains an absolute secret. Because this Stotra is like Lalita Sahasranama, but without filters and with the innocence of a child. Ucchista Ganapati's Mantra: "hasti pishaci likhe swaha". This Mantra is like a crazy child that nobody can stop. Only Maha Pratyangira could handle this and stop this crazy child and put him to rest. Guhya Nama Sahasranama bestows all perfections in just one month of recitation.

The third option would be to recite the Maha Pratyangira Khadgamala. Devotees in despair can ask Atharvana Bhadrakali permission to recite her Mantra 108 times before reciting Khadgamala. She won't mind if you recite it only 108 times, but please don't do it without reciting the Khadgamala afterwards or she will get angry with you. Sorcerers use black magic through energies of the Shri Chakra in the form of Lalita (it is impossible to do this through Pratyangira), so it is often difficult to fight without knowing the hierarchy of the Shri Chakra. The weakness of each part of the Shri Chakra in the form of Lalita is the Shri Chakra in the form of Maha Pratyangira. The luminous part of the phases of the moon are manifestations of Lalita. The dark parts of the phases of the moon are Maha Pratyangira. This indicates the balance between good and evil. Full Moon is Lalita. New Moon is Maha Pratyangira. Lalita has 16 Nitya devis. Maha prartyangira also has her own Nitya Devis to subjugate Lalita Nitya Devis when necessary for the balance between good and evil. The 16 Nitya Devis of Pratyangira are in the same position as the Devi Khadgamala: Kāli, Kapālini, Kulle, Kurukulle, Virodhini, Vipracitte, Ugre, Ugraprabhe, Dīpte, Nīle, Ghane, Balāke, Mātre, Mudre, Mite and Paramātmike. These are the Nitya Devis of Maha Pratyangira. They are the dark part of the moon. They control the divine game where sometimes Lalita must yield to Pratyangira and other times Pratyangira must yield to Lalita. The last case would be when the malicious devotee desists from using the Shri Chakra's energies for evil. Seeing the devotee's regret, Maha Pratyangira stops subduing the malicious devotee and allows him to enjoy Lalita's energies.

Below I will reveal to you something less potent, but more practical for present and future emergencies. Below I will list the deadliest weapons of ATHARVAṆA BHADRAKĀḺĪ. Each ṚK below represents a different weapon. You must choose the most suitable one according to your goals. The description will be present in the Viniyoga of each ṚK. You should choose only one and recite it 10,000 times and perform homa 1000 times. Then you can recite the perfected ṚK 108 times in any dangerous situation. Most of these ṚK have the potential to not only kill the enemy but kill the bloodline and clan completely. It will depend on the persistence of the enemy with you. Choose only one ṚK, according to your goals. The good people of India and all over the world need to put a brake on these bad people. They think they're smart and powerful just because innocent people don't fight back. ŚRĪ ATHARVAṆA BHADRAKĀḺĪ ṚK: brahmā ṛṣiḥ, anuṣṭup chandaḥ, ugrakṛtyā devatā, parakṛtyānivāraṇe viniyogaḥ । yām̐ kalpayanti norayaḥ krūrām̐ kṛtyām̐ vadhūmiva । tām̐ brahmaṇā'panirṇughna pratyakkartāramṛcchatu ॥ 1॥ pratyaṅgirā ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, ripunigraha viniyogaḥ । śīrṣaṇvatīm̐ karṇavatīm̐ viṣṇurūpām̐ bhayaṅkarīm । yaḥ prāhiṇodihādya tvam̐ nityam̐ yojaya svastibhiḥ ॥ 2॥ vāmadeva ṛṣiḥ, gāyatrī chandaḥ, kṛtyā devatā, vairanivṛttihetu viniyogaḥ । yena diṣṭyeha vadasi pratipūramadhāpini । tamevāto nivartasva mā syāmyatso anāgasaḥ ॥ 3॥ vṛddhavaśiṣṭha ṛṣiḥ, anuṣṭup chandaḥ, kālāgnirudra devatā, vairanāśa viniyogaḥ । abhivartasya kartari nirastām̐ tābhirojasā । āyurasya nikṛntasya prajāśca puruṣādini ॥ 4॥ urdhva ṛṣiḥ, anuṣṭup chandaḥ, yātudhānya devatā, abhicāranāśaka viniyogaḥ । yastvā kṛtye cakāreha tvam̐ tam̐ gaccha punarnave । āsatīḥ kṛtyānāśāya sarvāstu yātudhānyaḥ ॥ 5॥ mahādeva ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, ripunigraha viniyogaḥ । kṣipram̐ kṛtye nivartasva kartureva gṛham̐ prati । paśūm̐ścaivāsya nāśaya vīryam̐ cāsya nibarhaya ॥ 6॥ agastya ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, ripunigraha viniyogaḥ । yastvām̐ kṛtye cakāreha vidvānapi upagrahān । tasyaivātaḥ parāvṛtya tanum̐ kṛndhi yathā tarum ॥ 7॥ vaśiṣṭha ṛṣiḥ, anuṣṭup chandaḥ, rudra devatā, arinigraha viniyogaḥ । praticitvāvase dhātubrahmaṇe viṣṇumitraham । agniśca kṛtyam̐ rakṣohā coja ekapāt ॥ 8॥ brahmā ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, śatrunigraha viniyogaḥ । yathā tvāṅgirasaḥ pūrve bhṛgavaścāyasedhire । atrayaśca vaśiṣṭhaśca tathaiva nāyasedhi mām ॥ 9॥ agni ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, arināśa viniyogaḥ । yaste parūm̐ṣi sa dadhau rathasyaivam̐ vibhūrdhiyā । tantracchatagate jananajñāstejano yataḥ ॥ 10॥ bhṛgu ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, sam̐grāma vijaya viniyogaḥ । yo naḥ kṛtye raṇastho vā jano vānyo hi him̐sati । tasya tvam̐ devi viddhvāgnim̐ tanumṛccha svahetinā ॥ 11॥ agastya ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, vivāde jayaprada viniyogaḥ । manāḥ śaryādena havimasya kṣiyantam̐ yā kṛtvane । sarasvatītyava kṛtya macchiṣastasya kiñcana ॥ 12॥ mahādeva ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, vāda vivāde jayaprada viniyogaḥ । manaḥ kaściduhārātir manasā pratibhūriti । dūrastho vāntikastho vā tasya hṛdyasṛk piba ॥ 13॥ agni ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, dussādhyakārya siddhi viniyogaḥ । yenāsi kṛtye prahitā chadmanāsmajjighām̐sayā । tasya vyaneccāvyanahīnastaharasāśaniḥ ॥ 14॥ gotama ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, mārgarakṣā viniyogaḥ । yo nosi vāsaḥ prasthānaḥ parā yāti parācatam । tairdevirātryāḥ kṛtye no gamayemānnikṛntaya ॥ 15॥ jvara ṛṣiḥ, anuṣṭup chandaḥ, mṛtyu devatā, śatru pīḍā jvaradāha viniyogaḥ । yandviṣmo yaśca dveṣṭyaghāyuryasya na sam̐śayaḥ । śune pipṛmi vakṣyāmi tam̐ pratyasmatvamṛtyave ॥ 16॥ aṅgirā ṛṣiḥ, gāyatrī chandaḥ, agni devatā, śatru nigraha viniyogaḥ । yadyuveśadvipadesmānardiveṣa catuṣpadī । niresthā no vrajāsmābhiḥ kartum̐ tvaṣṭapadīgṛhān ॥ 17॥ brahmā ṛṣiḥ, anuṣṭup chandaḥ, agni devatā, vidveṣaṇa viniyogaḥ । yaśca yāyajñaḥ śapatho yaśca māmīśa yāti naḥ । brahmācapakuddhaśayā śarvatatkandha dhaspatim ॥ 18॥ kaśyapa ṛṣiḥ, anuṣṭup chandaḥ, bhauma devatā, śatru palāyana viniyogaḥ । sabandhuścāpyabandhuśca yo asma abhidā mati । tasya tvasindhayiṣṭāya dāvitsarpa tākṣiraḥ ॥ 19॥ upamanyu ṛṣiḥ, bṛhatī chandaḥ, kālāgnirudra devatā, arināśaka viniyogaḥ । abhiprehi śubhaprākṣam̐ yuktāśu śapatham̐ rathe । śatrurna tiṣṭhati kṛtye vṛko vā vimato gṛhāt ॥ 20॥ sabhyatapā ṛṣiḥ, bṛhatī chandaḥ, jvalano devatā, aripalāyana viniyogaḥ । pariṇo vṛddhiśapathā dahannagniriva hrade । śatrūnevābhinojñehi divyāvṛkṣamivā śaniḥ ॥ 21॥ aṅgirā ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, gajā'jaturagādīnām̐ ripu mohane viniyogaḥ । asapatnam̐ purastānnaḥ śivam̐ dakṣiṇataskṛdhi । abhayam̐ satatam̐ paścādbhara uttarato gṛhe ॥ 22॥ kaśyapa ṛṣiḥ, bṛhatī chandaḥ, kṛtyā devatā, riputrāsa kāraka viniyogaḥ । pare hi kṛtye mātiṣṭha vṛddhasevapadam̐ naya । mṛgāsyahi mṛgoriḥ prāntatvāni kartumarhati ॥ 23॥ śarva ṛṣiḥ, anuṣṭup chandaḥ, sarvasura devatā, puradahanārtha viniyogaḥ । agnyāsyaghorarūpepi puruṣepi vināśinī । jṛmbhitā pratigṛhṇasva pramādāya hi cādbhutam ॥ 24॥ arka ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, rājakopa śānti viniyogaḥ । tvamindro yamo varuṇastvamāpopi ca rathonilaḥ । tvam̐ brahmā caiva rudraśca tvaṣṭā caiva prajāpatiḥ ॥ 25॥ indra ṛṣiḥ, gāyatrī chandaḥ, aśvinau devatā, roganāśa viniyogaḥ । āvartadhvam̐ nivartadhvamṛtavaḥ parivatsarāḥ । ahorātrāstathābdāśca diśaḥ pratidiśaśca me ॥ 26॥ gālava ṛṣiḥ, triṣṭup chandaḥ, mitro devatā, asādhyakārya hetu viniyogaḥ । tvam̐ yamam̐ varuṇam̐ somam̐ tvamāpognimathānilam । atrāhṛtya paśūm̐ścaiva cotpādayasi cādbhutam ॥ 27॥ viṣṇu ṛṣiḥ, anuṣṭup chandaḥ, viṣṇu devatā, sarvarakṣākara viniyogaḥ । yo merugarbhaśayānam̐ viśvasya hitam̐ puruṣam̐ vijahuḥ । kumbhīvapākam̐ narakam̐ janāgrīyam̐ pañcavarṣāśca evam̐ puruṣo somapasya ॥ 28॥ śukra ṛṣiḥ, anuṣṭup chandaḥ, brahma devatā, strīvaśya mohanāśa viniyogaḥ । atyaktā raktāsvalaṅkṛtaḥ sarvato duritam̐ vaha । jātīyāścaiva kṛtyānām̐ śatruhanyāya cetasaḥ ॥ 29॥ vasavo ṛṣiḥ, anuṣṭup chandaḥ, paramātmā devatā, durvadhyārivināśane viniyogaḥ । yathā hati purāsīnam̐ tathaivasvatsakṛnnaraḥ । tathā tvayā yujā vayam̐ tasya nikupnaḥ sthātujaṅgamam ॥ 30॥ indu ṛṣiḥ, anuṣṭup chandaḥ, agni devatā, śrunāśa viniyogaḥ । uttiṣṭhevanarahīno jātehnibhihecchasi । yā vāste kṛtyayādau tu pratikṛtsyāmividravaḥ ॥ 31॥ śāntāyana ṛṣiḥ, anuṣṭup chandaḥ, paramā devatā, tapovinnanāśakāraka viniyogaḥ । lobhālasyādayo vātha dṛśyante ye tapopahā । tapobighnakarāḥ pāṭhe svāyudhāśśamidam̐ paṭhet ॥ svāyudhāḥ santi norayo vighnam̐ caivam̐ parūm̐ṣi te । taistairnikapalā pāpinojīvayasyarīn ॥ 32॥ bhāgīratha ṛṣiḥ, anuṣṭup chandaḥ, brahmā devatā, pāpanāśa viniyogaḥ । māsyācchiṣo dvipadam̐ tanocaki catuṣpadam । mājñātītantu jānasyānmanave kṣipraveśinau ॥ 33॥ aṅgirā ṛṣiḥ, anuṣṭup chandaḥ, kālamṛtyu devatā, durlabha karmasādhana viniyogaḥ । śatrūyatā prahitāsi mām̐ ye tābhimadharvataḥ । tatastathā tvadanu yo mataturyāyaśritaḥ ॥ 34॥ aṅgirā ṛṣiḥ, anuṣṭup chandaḥ, mahādeva devatā, pāpanāśa viniyogaḥ । evam̐ tvanikṛtāsmābhirbrahmaṇā devi sarvaśaḥ । vadheta māṣvino gatvā pāpadhīneva no na hi ॥ 35॥ aṅgirā ṛṣiḥ, anuṣṭup chandaḥ, kṛtyā devatā, śatrūṇām̐ śoṣaṇārthe viniyogaḥ । yathā vidyuddhato vṛkṣa āmūlādanuśuṣyati । evam̐ pratiśuṣyati sa yo me pāpam̐ cikīrṣati ॥ 36॥ kaṭho ṛṣiḥ, anuṣṭup chandaḥ, mahādeva devatā, striyā kṛtābhicāra nāśana viniyogaḥ । yathā pratiśuko bhūtvā tameva pratidhāvati । pāpantameva dhāvatu yo me pāpam̐ cikīrṣati ॥ 37॥ bhṛgu ṛṣiḥ, anuṣṭup chandaḥ, viśvedevā devatā, durgasthāne rakṣā viniyogaḥ । yā naścekṣaraṇe yaśca niṣṇyau nighanāgūm̐sati । devāste sarvam̐ dhunvantu brahmavarma mamācaram ॥ 38॥

Namaste Sha. The moment I found out about your problem I was very angry with this person doing these evil things for no reason. I will reveal to you the complete form of the greatest weapon of destruction against Adharma. Recite the Stotra I will write below 4 times a day: Dawn, Noon, Dusk and Midnight. Recite once in each of these four periods. With a fierce gaze and a fierce mindset and an absence of mercy towards Dharma enemies, recite the Stotra below in front of the Shri Chakra. Meditate by visualizing yourself as the fire of final dissolution and all enemies falling and being devoured by the fire that is you in the form of MAHĀVIPARĪTA PRATYAṄGIRĀ. Show no mercy to Dharma enemies. Educate them with this Stotra. They will become a better soul after punishment. Omission in these cases means sin. You must punish. Below is the greatest weapon of all Tantras. VINIYOGAḤ om̐ asya śrī mahāviparīta pratyaṅgirā stotramālā mahāmantrasya । śrī mahākālabhairava ṛṣiḥ । triṣṭup chandaḥ । śrī mahābrahma svarūpiṇī mahāviparīta pratyaṅgirā devatā । hūm̐ bījam̐ । hrīm̐ śaktiḥ । klīm̐ kīlakam̐ । śrī mahāviparīta pratyaṅgirā prasāda siddhyarthe antarbahir jñāta ajñāta śatrumāraṇārthe jape viniyogaḥ ॥ GURU MANTRAḤ (recite100 times) om̐ hūm̐ sphāraya sphāraya māraya māraya śatruvargān nāśaya nāśaya svāhā ॥ DHYĀNAM̐ om̐ kṣutkṣāmām̐ koṭarākṣīmasimalinamukhī muktakeśī rudantī । nāham̐ tṛptā vadantī jagadakhilamidam̐ grāsamekam̐ karomi ॥ hastābhyām̐ dhārayantīm̐ jvaladalanaśikhāsannibham̐ pāśayugmam̐ । dantairjambūphalābhaḥ pariharatu bhayam̐ pātu mām̐ bhadrakālī ॥ ŚRĪ MAHĀVIPARĪTA PRATYAṄGIRĀ STOTRAM̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ namo viparīta-mahāpratyaṅgirāyai sahastrāneka-kārya-locanāyai koṭi-vidyujjihvāyai mahā-vyāpinyai sam̐hāra-rūpāyai janma-śānti-kāriṇyai mama saparivārakasya bhāvi-bhūta-bhavacchatrūn sadārā'patyān sam̐hāraya sam̐hāraya, mahāprabhāvam̐ darśaya darśaya, hili hili, kili kili, mili mili, cili cili, bhūri bhūri, vidyujjihve, jvala jvala, prajvala prajvala, dhvam̐saya dhvam̐saya, pradhvam̐saya pradhvam̐saya, grāsaya grāsaya, piba piba, nāśaya nāśaya, trāsaya trāsaya, vitrāsaya vitrāsaya, māraya māraya, vimāraya vimāraya, bhrāmaya bhrāmaya, vibhrāmaya vibhrāmaya, drāvaya drāvaya, vidrāvaya vidrāvaya hūm̐ hūm̐ phaṭ svāhā, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire, hūm̐ lam̐ hrīm̐ lam̐ klīm̐ lam̐ aim̐ lam̐ om̐ lam̐ phaṭ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ aim̐ om̐ mahāviparīta-pratyaṅgire mama saparivārakasya yāvacchatrūn devatā-pitṛ-piśāca-nāga-garuḍa-kinnara-vidyādhara-gandharva-yakṣa-rākṣasa-loka-pālān graha-bhūta-nara-lokān samantrān sauṣadhān sāyudhān sasahāyān bāṇaiḥ chindhi chindhi, bhindhi bhindhi, nikṛntaya nikṛntaya, chedaya chedaya, uccāṭaya uccāṭaya, māraya māraya, teṣām̐ sāham̐kārādi-dharmān kīlaya kīlaya, ghātaya ghātaya, nāśaya nāśaya, viparīta-pratyaṅgire sphrem̐ sphrem̐tkāriṇi, om̐ om̐ jam̐ om̐ om̐ jam̐ om̐ om̐ jam̐ om̐ om̐ jam̐ om̐ om̐ jam̐ om̐ om̐ jam̐ om̐ om̐ jam̐, om̐ om̐ ṭhaḥ om̐ om̐ ṭhaḥ om̐ om̐ ṭhaḥ om̐ om̐ ṭhaḥ om̐ om̐ ṭhaḥ om̐ om̐ ṭhaḥ om̐ om̐ ṭhaḥ, mama saparivārakasya śatrūṇām̐ sarvāḥ vidyāḥ kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, hastau kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, mukham̐ kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, netrāṇi kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, dantān kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, jihvām̐ kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, pādau kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, guhyam̐ kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, sakuṭumbānām̐ kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, sthānam̐ kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, samprāṇān kīlaya kīlaya, stambhaya stambhaya, nāśaya nāśaya, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ hūm̐ hūm̐ phaṭ phaṭ svāhā, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire mama saparivārakasya sarvato rakṣām̐ kuru kuru phaṭ phaṭ svāhā, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire mama saparivārakasya bhūta-bhaviṣyacchatrūṇām-uccāṭanam̐-uccāṭanam̐ kuru kuru phaṭ phaṭ svāhā, hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐, vam̐ vam̐ vam̐ vam̐ vam̐ vam̐ vam̐, lam̐ lam̐ lam̐ lam̐ lam̐ lam̐ lam̐, ram̐ ram̐ ram̐ ram̐ ram̐ ram̐ ram̐, yam̐ yam̐ yam̐ yam̐ yam̐ yam̐ yam̐, om̐ om̐ om̐ om̐ om̐ om̐ om̐, namo bhagavati viparīta-mahāpratyaṅgire, duṣṭa-cāṇḍālini, triśūla-vajrāṅkuśa-śakti-śūla-dhanuḥ-śara- pāśa-dhāriṇi, śatru-rudhira-carma-medo-mām̐sāsthi-majjā-śukra-mehan-vasā-vāk-prāṇa-mastaka-hetvādi-bhakṣiṇi, para-brahma-śive, jvālā-dāyini, jvālā-mālini, śatrūccāṭana-māraṇa-kṣobhaṇa-stambhana-mohana-drāvaṇa-jṛmbhaṇa-bhrāmaṇa-raudraṇa-santāpana-yantra-mantra-tantrāntaryāga-puraścaraṇa-bhūta-śuddhi-pūjā-phala-parama-nirvāṇa-haraṇa-kāriṇi, kapāla-khaṭvāṅga-paraśu-dhāriṇi, mama saparivārakasya bhūta-bhaviṣyacchatrūn sasahāyān savāhanān hana hana, raṇa raṇa, daha daha, dama dama, dhama dhama, paca paca, matha matha, laṅghaya laṅghaya, khādaya khādaya, carvaya carvaya, vyathaya vyathaya, jvaraya jvaraya, mūkān kuru kuru, jñānam̐ hara hara hūm̐ hūm̐ phaṭ phaṭ svāhā, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ phaṭ phaṭ svāhā, mahāviparīta-pratyaṅgire mama saparivārakasya śatrūṇām̐ kṛta mantra-yantra-tantra-havana-kṛtyauṣadha-viṣa-cūrṇa-śastrādyabhicāra-sarvopadravādikam̐ yena kṛtam̐, kāritam̐, kurute, kariṣyati, tān sarvān hana hana, sphāraya sphāraya, sarvato rakṣām̐ kuru kuru, hūm̐ hūm̐ phaṭ phaṭ svāhā, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ phaṭ phaṭ svāhā, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire mama saparivārakasya śatravaḥ, abhicāra, kurvanti, kariṣyanti, śatruśca, kārayāmāsa, kārayanti, kārayiṣyanti, yā'yā'nyām̐ kṛtyān taiḥ sārddha tām̐stām̐ viparītām̐ kuru kuru, nāśaya nāśaya, māraya māraya, śmaśānasthām̐ kuru kuru, kṛtyādikām̐ kriyām̐ bhāvi-bhūta-bhavacchatrūṇām̐ yāvat kṛtyādikām̐ kriyām̐ viparītām̐ kuru kuru, tān ḍākinī-mukhe hāraya hāraya, bhīṣaya bhīṣaya, trāsaya trāsaya, māraya māraya, parama-śamana-rūpeṇa hana hana, dharmāvacchinna-nirvāṇam̐ hara hara, teṣām̐ iṣṭa-devānām̐ śāsaya śāsaya, kṣobhaya kṣobhaya, prāṇādi-mano-buddhayaham̐kāra-kṣut-tṛṣṇā''karṣaṇa-layana-āvāgamana-maraṇādikam̐ nāśaya nāśaya, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ phaṭ phaṭ svāhā, kṣam̐ ḻam̐ ham̐ sam̐ ṣam̐ śam̐ vam̐ lam̐ ram̐ yam̐ mam̐ bham̐ bam̐ pham̐ pam̐ nam̐ dham̐ dam̐ tham̐ tam̐ ṇam̐ ḍham̐ ḍam̐ ṭham̐ ṭam̐ ñam̐ jham̐ jam̐ cham̐ cam̐ ṅam̐ gham̐ gam̐ kham̐ kam̐ aḥ am̐ aum̐ om̐ aim̐ em̐ ḹm̐ ḷm̐ ṝm̐ ṛm̐ ūm̐ um̐ īm̐ im̐ ām̐ am̐, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, kṣam̐ ḻam̐ ham̐ sam̐ ṣam̐ śam̐ vam̐ lam̐ ram̐ yam̐ mam̐ bham̐ bam̐ pham̐ pam̐ nam̐ dham̐ dam̐ tham̐ tam̐ ṇam̐ ḍham̐ ḍam̐ ṭham̐ ṭam̐ ñam̐ jham̐ jam̐ cham̐ cam̐ ṅam̐ gham̐ gam̐ kham̐ kam̐ aḥ am̐ aum̐ om̐ aim̐ em̐ ḹm̐ ḷm̐ ṝm̐ ṛm̐ ūm̐ um̐ īm̐ im̐ ām̐ am̐ phaṭ phaṭ svāhā, mahāviparīta-pratyaṅgire mama saparivārakasya śatrūṇām̐ kṛta samastābhicāram̐ teṣām iṣṭa-sahitam̐ nāśaya nāśaya, māraya māraya, khādaya khādaya, jvālaya jvālaya, jvala jvala, kṣam̐ ḻam̐ ham̐ sam̐ ṣam̐ śam̐ vam̐ lam̐ ram̐ yam̐ mam̐ bham̐ bam̐ pham̐ pam̐ nam̐ dham̐ dam̐ tham̐ tam̐ ṇam̐ ḍham̐ ḍam̐ ṭham̐ ṭam̐ ñam̐ jham̐ jam̐ cham̐ cam̐ ṅam̐ gham̐ gam̐ kham̐ kam̐ aḥ am̐ aum̐ om̐ aim̐ em̐ ḹm̐ ḷm̐ ṝm̐ ṛm̐ ūm̐ um̐ īm̐ im̐ ām̐ am̐, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, kṣam̐ ḻam̐ ham̐ sam̐ ṣam̐ śam̐ vam̐ lam̐ ram̐ yam̐ mam̐ bham̐ bam̐ pham̐ pam̐ nam̐ dham̐ dam̐ tham̐ tam̐ ṇam̐ ḍham̐ ḍam̐ ṭham̐ ṭam̐ ñam̐ jham̐ jam̐ cham̐ cam̐ ṅam̐ gham̐ gam̐ kham̐ kam̐ aḥ am̐ aum̐ om̐ aim̐ em̐ ḹm̐ ḷm̐ ṝm̐ ṛm̐ ūm̐ um̐ īm̐ im̐ ām̐ am̐ phaṭ phaṭ svāhā, aḥ am̐ aum̐ om̐ aim̐ em̐ ḹm̐ ḷm̐ ṝm̐ ṛm̐ ūm̐ um̐ īm̐ im̐ ām̐ am̐ ṅam̐ gham̐ gam̐ kham̐ kam̐ ñam̐ jham̐ jam̐ cham̐ cam̐ ṇam̐ ḍham̐ ḍam̐ ṭham̐ ṭam̐ nam̐ dham̐ dam̐ tham̐ tam̐ mam̐ bham̐ bam̐ pham̐ pam̐ vam̐ lam̐ ram̐ yam̐ kṣam̐ ḻam̐ ham̐ sam̐ ṣam̐ śam̐, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mama saparivārakasya sthāne samasta śatrūṇām̐ kṛtyān sarvān viparītān kuru kuru, teṣām̐ mantra-yantra-tantrārcana-śmaśānārohaṇa-bhūmi-sthāpana-bhasma-prakṣepaṇa-puraścaraṇa-homābhiṣekādikān kṛtyān dūrī kuru kuru, nāśam̐ kuru kuru, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire mām̐ saparivārakam̐ sarvataḥ sarvebhyo rakṣa rakṣa, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire phaṭ phaṭ svāhā, am̐ ām̐ im̐ īm̐ um̐ ūm̐ ṛm̐ ṝm̐ ḷm̐ ḹm̐ em̐ aim̐ om̐ aum̐ am̐ aḥ kam̐ kham̐ gam̐ gham̐ ṅam̐ cam̐ cham̐ jam̐ jham̐ ñam̐ ṭam̐ ṭham̐ ḍam̐ ḍham̐ ṇam̐ tam̐ tham̐ dam̐ dham̐ nam̐ pam̐ pham̐ bam̐ bham̐ mam̐ yam̐ ram̐ lam̐ vam̐ śam̐ ṣam̐ sam̐ ham̐ ḻam̐ kṣam̐, om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐, mahāviparīta-pratyaṅgire, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ phaṭ phaṭ svāhā, om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐ om̐ klīm̐ hrīm̐ śrīm̐, am̐ ām̐ im̐ īm̐ um̐ ūm̐ ṛm̐ ṝm̐ ḷm̐ ḹm̐ em̐ aim̐ om̐ aum̐ am̐ aḥ kam̐ kham̐ gam̐ gham̐ ṅam̐ cam̐ cham̐ jam̐ jham̐ ñam̐ ṭam̐ ṭham̐ ḍam̐ ḍham̐ ṇam̐ tam̐ tham̐ dam̐ dham̐ nam̐ pam̐ pham̐ bam̐ bham̐ mam̐ yam̐ ram̐ lam̐ vam̐ śam̐ ṣam̐ sam̐ ham̐ ḻam̐ kṣam̐, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐, mahāviparīta-pratyaṅgire mama saparivārakasya śatrūṇām̐ viparītādi-kriyām̐ nāśaya nāśaya, truṭim̐ kuru kuru, teṣāmiṣṭa-devatādi-vināśam̐ kuru kuru, teṣām-siddhim̐ apanayāpanaya, viparīta-mahāpratyaṅgire, śatru-mardini bhayaṅkari, śatrūṇām̐ nānā-kṛtyādi-mardini, jvālini, mahā-ghora-tare, tribhuvana-bhayaṅkari, mama saparivārakasya cakṣuḥ-śrotrādi-pādaum̐ sarvataḥ sarvebhyaḥ sarvadā rakṣām̐ kuru kuru, hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hūm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ hrīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ klīm̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ aim̐ om̐ om̐ om̐ om̐ om̐ om̐ om̐ phaṭ phaṭ svāhā, MĀTṜKĀ hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ vasundhare mama saparivārakasya sthānam̐ rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ mahālakṣmi mama saparivārakasya pādau rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ caṇḍike mama saparivārakasya jaṅghe rakṣa rakṣa hum̐ phaṭ svāhā hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ pracaṇḍacaṇḍike mama saparivārakasya jānu rakṣa rakṣa hum̐ phaṭ svāhā hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ cāmuṇḍe mama saparivārakasya guhyam̐ rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ indrāṇi mama saparivārakasya nābhim̐ rakṣa rakṣa hum̐ phaṭ svāhā hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ nārasim̐hi mama saparivārakasya bāhū rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ vārāhi mama saparivārakasya hṛdayam̐ rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ vaiṣṇavi mama saparivārakasya kaṇṭham̐ rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ kaumāri mama saparivārakasya vaktram̐ rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ māheśvari mama saparivārakasya śiro rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ brahmāṇi mama saparivārakasya mānasam̐ rakṣa rakṣa hum̐ phaṭ svāhā, hūm̐ hrīm̐ klīm̐ śrīm̐ hrīm̐ aim̐ om̐ viparītamahāpratyaṅgire mama saparivārakasya chidram̐ sarvagātrāṇi rakṣa rakṣa hum̐ phaṭ svāhā, DHYĀNAM̐ santāpinī sam̐hāriṇī raudrī ca bhrāmiṇī tathā । jṛm̐bhiṇī drāviṇī caiva kṣobhiṇi mohinī tataḥ ॥ stam̐bhinī uccāṭinī ca jvālinī mardinī tathā । nāśinī śoṣiṇī caiva kīlanī bhakṣiṇī tataḥ ॥ yoginī cāṇḍaśarupāstāḥ śatrupakṣe niyojitāḥ । preritā sādhakendreṇa duṣṭaśatrupramardikāḥ ॥ YOGINĪ om̐ santāpini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun santāpaya santāpaya hūm̐ phaṭ svāhā, om̐ sam̐hāriṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun sam̐hāraya sam̐hāraya hūm̐ phaṭ svāhā, om̐ raudri sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun raudraya raudraya hūm̐ phaṭ svāhā, om̐ bhrāmiṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun bhrāmaya bhrāmaya hūm̐ phaṭ svāhā, om̐ jṛmbhiṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun jṛmbhaya jṛmbhaya hūm̐ phaṭ svāhā, om̐ drāviṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun drāvaya drāvaya hūm̐ phaṭ svāhā, om̐ kṣobhiṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun kṣobhaya kṣobhaya hūm̐ phaṭ svāhā, om̐ mohini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun mohaya mohaya hūm̐ phaṭ svāhā, om̐ stam̐bhini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun stambhaya stambhaya hūm̐ phaṭ svāhā, om̐ uccāṭini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun uccāṭaya uccāṭaya hūm̐ phaṭ svāhā, om̐ jvālini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun jvālaya jvālaya hūm̐ phaṭ svāhā, om̐ mardini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun mardaya mardaya hūm̐ phaṭ svāhā, om̐ nāśini sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun nāśaya nāśaya hūm̐ phaṭ svāhā, om̐ śoṣiṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun śoṣaya śoṣaya hūm̐ phaṭ svāhā, om̐ kīlani sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun kīlaya kīlaya hūm̐ phaṭ svāhā, om̐ bhakṣiṇi sphrem̐ sphrem̐ mama saparivārakasya sarvaśatrun bhakṣaya bhakṣaya hūm̐ phaṭ svāhā, PARABRAHMAVIDYĀ (Recite 10 times) hūm̐ hrīm̐ klīm̐ aim̐ om̐ am̐ ām̐ im̐ īm̐ um̐ ūm̐ ṛm̐ ṝm̐ ḷm̐ ḹm̐ em̐ aim̐ om̐ aum̐ am̐ aḥ kam̐ kham̐ gam̐ gham̐ ṅam̐ cam̐ cham̐ jam̐ jham̐ ñam̐ ṭam̐ ṭham̐ ḍam̐ ḍham̐ ṇam̐ tam̐ tham̐ dam̐ dham̐ nam̐ pam̐ pham̐ bam̐ bham̐ mam̐ yam̐ ram̐ lam̐ vam̐ śam̐ ṣam̐ sam̐ ham̐ ḻam̐ kṣam̐ hūm̐ hrīm̐ klīm̐ aim̐ om̐ viparīta-parabrahma-mahāpratyaṅgire hūm̐ hrīm̐ klīm̐ aim̐ om̐ am̐ ām̐ im̐ īm̐ um̐ ūm̐ ṛm̐ ṝm̐ ḷm̐ ḹm̐ em̐ aim̐ om̐ aum̐ am̐ aḥ kam̐ kham̐ gam̐ gham̐ ṅam̐ cam̐ cham̐ jam̐ jham̐ ñam̐ ṭam̐ ṭham̐ ḍam̐ ḍham̐ ṇam̐ tam̐ tham̐ dam̐ dham̐ nam̐ pam̐ pham̐ bam̐ bham̐ mam̐ yam̐ ram̐ lam̐ vam̐ śam̐ ṣam̐ sam̐ ham̐ ḻam̐ kṣam̐ hūm̐ hrīm̐ klīm̐ aim̐ om̐ ॥ PRĀRTHANĀ hūm̐ hrīm̐ klīm̐ aim̐ om̐ viparīta-parabrahma-mahāpratyaṅgire saparivārakasya sarvebhyaḥ sarvataḥ sarvadā rakṣām̐ kuru kuru, maraṇa-bhayam apanayāpanaya, tri-jagatām̐ bala-rūpa-vittāyurme saparivārakasya dehi dehi, dāpaya dāpaya, sādhakatvam̐ prabhutvam̐ ca satatam̐ dehi dehi, viśva-rūpe dhanam̐ putrān dehi dehi, mām̐ saparivārakam̐, mām̐ paśyantu dehinaḥ sarve him̐sakāḥ hi pralayam̐ yāntu, mama saparivārakasya yāvacchatrūṇām̐ bala-buddhi-hānim̐ kuru kuru, tān sasahāyān seṣṭa-devān sam̐hāraya sam̐hāraya, teṣām̐ mantra-yantra-tantra-lokān prāṇān hara hara, hāraya hāraya, svābhicāram apanayāpanaya, brahmāstrādīni nāśaya nāśaya, hūm̐ hūm̐ hūm̐ sphrem̐ sphrem̐ sphrem̐ ṭhaḥ ṭhaḥ ṭhaḥ phaṭ phaṭ phaṭ svāhā ॥ Other devotees can make use of this Stotra in situations where all else has failed. Other devotees can make use of this Stotra in situations where all else has failed. This is absolutely fatal for Dharma enemies. There is no doubt that this Stotra will devour the life of the malicious ones along with everything around them. They will be better souls after the punishment, so don't worry. You will be doing something good.

Namaste Krishna and all devotees. Sorry for not answering all the questions. I was busy solving many dharmic problems. For dharmic reasons I will be away for a while, but I will probably come back here in the future after I resolve some dharmic issues. May the Divine Mother hold you all in her lap twenty-four hours a day. May her gaze never stray from you.

If you are interested in any questions related to Baglamukhi Sadhana, write to this man. He wrote this himself: "I have completed just about 10 crore Bagla Bijas (100,000,000) since 2018. I am happy to share my experiences. My name is David and my email is - DavidMWhitehouse1@gmail.com". You can ask him.

Namaskaraam wise one.Tripuraghnaji, everything I know about Guhyakālī I have learned from you. Please, if it is possible, share with me some other wonderful facet of the goddess. I had been feeling enthralled by your words about her, then short out after, a friend purchased a Kālī tarot deck, and the first card I drew, of 64 possible, was Maa Guhyakālī. It was the most exquisite artwork too, beautiful and stunning and terrifying. Anyway, if there is anything you might share with this clueless student about this mysterious, awe-inspiring goddess who is hard to see, please tell me. I will be eternally grateful, more so than I already am for what you have shared about Guhya and Pratyangira ❤️

I’m experimenting with appending an ātma bīja to each line. Is this a careless or stupid idea, or is it worth the experience? I was thinking, perhaps experimentation may please Maa, if it is done with lots of love and playfulness. I’ve been trying to preserve the meter, and with this I’ve inserted the ātma bīja as though this chant was on a sheet of music, and this additional bīja adds an additional space but does not alter the rhythm or timing of each line beyond that. Am I making an error in doing this, or is some trial an error acceptable?