Thank you! From the bottom of my heart. My heart is racing and my eye tear up reading what you’ve shared. I don’t think I grasp this depth at all, not more than a Planck Length of it, but it is utterly riveting like nothing else. I want to feel a deeper understanding of all this, of what it means that Lālitā and Kāmakalā and gate keepers to something higher. Really I want to recognize what it feels like when the identification is becoming real, not just an idea or abstract recognition. If I might ask some ignorant follow-up questions: Regarding the moon and its duality, is this why the seeker who penetrates Lalitā becomes Kāmakalā Kālī, and vice versa—because they are oscillations of the same totality or reality? How does this relate to time, karma, and reincarnation? Does an individual continuously pass between these two fires, or is in some sort of quantum superposition with them? The bright part of the Moon reflects Fire onto the Earth, correct? does this reflection undergo distortion due to its interaction with Māyā, Karma, or planetary influences? I think I am not understanding moon. With all the sādhana, am I seeking to identify my soul spark through the reflections of the moon? Are Grace Śakti and Aruṭperuñjōti beyond both transcendence and immanence, neither Fire as Cause nor Fire as Effect? You have stated that Fire as Cause is superior to Fire as Effect. As Cause and Effect penetrate each other continuously, is there truly a hierarchy between Lalitā and Kāmakalā Kālī? Is Kāmakalā Kālī‘s hidden immanent fire involved in dissolving and reabsorbing Lalitā‘s Creation back into her, at least when cognized from human levels of dimensional awareness? I am struggling to understand masculine fire.

Krishna, the pure Mantra of Atharvaṇa Bhadrakāḻī with a thousand hands (Source: Prapañcasārasārasam̐graha) VINIYOGAḤ: om̐ asya śrī atharvaṇa bhadrakāḻī mahāmantrasya । pratyaṅgirasa ṛṣiḥ । anuṣṭup chandaḥ । śrī atharvaṇa bhadrakāḻī mahāpratyaṅgirā devatā । kṣam̐ bījam̐ । hum̐ śaktiḥ । phaṭ kīlakam̐ । śrī atharvaṇa bhadrakāḻī prasādasiddhyarthe jape viniyogaḥ ॥ DHYĀNAM̐: dhyāyetsamastaśatrughnīm̐ sarvasaukhyadayālayām । kālīm̐ kaṅkālavadanām̐ kālajīmūtasannibhām ॥ bhīmadam̐ṣṭrām̐ jvalannetrīm̐ bhūyo jvālāśikhojjvalām । aṣṭanāgakṛtākalpāmaṣṭadikpūrṇavigrahām ॥ sahasrabhujadaṇḍodyatsahasrāyudhaśobhitām । bibhratīm̐ kiṅkiṇīmālāmāpādatalalambikām ॥ samastaśatrurudhirapānonmattām̐ parām̐ śivām । evam̐ dhyātvā mahākṛtyām̐ japenmantram̐ yathāvidhi ॥ MŪLAMANTRAḤ: kṣam̐ bhakṣa jvālājihve karāḻadam̐ṣṭre pratyaṅgire kṣam̐ hrīm̐ hum̐ phaṭ । GĀYATRĪ MANTRAḤ: kṣam̐ hrām̐ pratyaṅgirāyai vidmahe । śatruniṣūdinyai dhīmahi । tanno krūra pracodayāt ॥ This is the pure Mantra of Mahāpratyaṅgirā without mixing seeds like "hrīm̐" or "om̐" at the beginning of the Mantra; This is also her most terrible and effective Mantra.

namaste Tivra. thank you so much. I want to ask more, but i dont think have time anymore and i really need to start on my practice. Avvai, the tamil grandmother once said 'its is indeed rare, and rare to be born a human'. I feel it in my every pore now. Just as a child wants to keep playing with his toys even when his/her parents call onto him to study, I have one last think to ask for the satiation of my curiosity. If you so will, will you reveal the structure of the mahamahapaduka mantra ?

Prince. One last thing. Actually the alphabet ends in the Mātṛkās "ham̐" and "ḻam̐". This Mātṛkā "kṣam̐" is a special letter which is separate from all other Mātṛkā. This letter "kṣam̐" is also in the center of the thousand petals of the Sahasrāra at the top of the head. The most terrible Mantra of Pratyaṅgirā (which is not published on this site) where she has a thousand hands is: kṣam̐ bhakṣa jvālājihve karāḻadaṃṣṭre pratyaṅgire kṣam̐ hrīm̐ hum̐ phaṭ । Notice that this Goddess emerges from the Mātṛkā "kṣam̐" at the beginning of the Mantra and she has a thousand hands symbolizing the 1000 petals of the Sahasrāra. The Mātṛkā "kṣam̐" is called "Akṣarapuruṣa" - the indestructible spirit; the Supreme.

Namaste Prince. I am glad that you asked something so important. You are talking about the Mātṛkā "ḻam̐" (ळँ) which many people do not pronounce in important words like "Kāḻī" and fragments like the Pratyaṅgirā Mantra called "karāḻadaṃṣṭre". If people knew the power of this Mātṛkā they would not mistakenly use the Mātṛkā "lam̐" (लँ) instead. First I will tell you how to pronounce the Mātṛkā "ḻam̐": place the tip of the tongue on the alveolar ridge - that is the correct pronunciation. Now I will tell you where this Mātṛkā is located and its meaning. The Mātṛkā "ḻam̐" (ळँ) stands at the center of the Ājñācakra and symbolizes the Cidagni Fire or Soul Spark reflected in the Earth which is the Mātṛkā "lam̐" (लँ) at the center of the Mūlādhāracakra. The petals of the Ājñācakra signify the Moon (ham̐ - Sadāśiva Tattva), the Sun (kṣam̐ - Śakti Tattva) and the center is the Fire (ḻam̐ - Śiva Tattva). This is the secret of Pracaṇḍacaṇḍikā which manifests instantly on Earth through the Ājñācakra. Pracaṇḍacaṇḍikā does not use time like Kāḻī - Pracaṇḍacaṇḍikā does things immediately because of the reflection of Ājñācakra in Mūlādhāracakra. Unlike other beings on Earth, hair does not grow on the forehead and between the eyebrows of human beings because of the Mātṛkā "ḻam̐" which is the Soul Spark. It can be said that the Mātṛkā "ḻam̐" is the tail of the serpent and the head of the serpent is biting it. So you do not need to walk the whole body of the serpent to reach the head. When you concentrate on this Mātṛkā "ḻam̐", all the other 50 Mātṛkā are in your hands. For this reason the Shiva Samhita says that the fruit of all the below Cakras is obtained by concentrating on the Ājñācakra. It is because of this Mātṛkā "ḻam̐" in the center.

Thank you my beloved Tivra. As much I a no longer want to ask any more questions, I still have one last question. After this i promise i will go silent and start with my practice. I counted the number for petals from muladharA to Ajna (4+6+10+12+16+2 = 50). However, there are only 50 petals, which match with the 50 Matrika mothers. Where should i place the 51st Matrika ? What is the significance of the 51st Matrka and where should we place her at? thank you for your time

Nesh. Now about the Sun. Dakṣiṇakālī (Sādi) is called the Eve of all Eves. Why? She refuses to lose her individuality and personality, different in each person as the Jīvātmā, even after recognizing Brahman as herself. She has this spirit of “rebellion” in a good sense. All of us humans are called Eve children because of this. We may evolve continuously, but the Gods will always be the same. This is the sense of “rebellion.” Dakṣiṇakālī is pulling the “Moon” towards herself, while Sādi Lalitā is pulling the “Fire” towards herself. Dakṣiṇakālī says to Sādi Lalitā: I want to be like the Fire, but without losing my own individuality and personality. Now about the Moon. The physical body is more complex than people think. Did you know that the tangible, material physical body has a hidden, invisible body? When Siddhas teleport long distances instantly, they absorb the physical body into this secret physical body and place the explicit physical body outside at the desired destination. This secret physical body that human beings possess and inexplicably exist everywhere is Guhyakālī, while Hādi Lalitā is the explicit physical body. When someone travels long distances instantly, it is Hādi Lalitā entering Guhyakālī and coming out anywhere in existence. The physical body has an intelligence and consciousness of its own: this is Guhyakālī.

Namaste Nesh. You seem quite interested in this Goddess Kāmakalā Kālī. Let me clarify your doubts about her. Fire is of the nature of Cause; the Sun is of the nature of Effect; the Moon is of the nature of Cause-Effect. Realize that the Moon is Cause and Effect simultaneously. Realize that the Moon always has a bright half and a dark half, no matter what phase it is in. The bright and dark part is the Fire (Cidagni or Soul Spark) reflected on the Earth as Cause and Effect. The one who is Fire/Cidagni as the “Cause” and the bright part of the Moon is called Lalitā. The one who is Fire/Cidagni as the “Effect” and the dark part of the Moon is called Kāmakalā Kālī. Both are Supreme Queens because they are born of Fire, but Lalitā is above Kāmakalā Kālī because Fire as Cause is superior to Fire as Effect. Lalitā and Kāmakalā Kālī are the highest authorities below Aruṭperuñjōti and Grace Shakti. They guard the door of what is higher. Lalitā rules the Night and Kāmakalā Kālī rules the Day. Lalitā is the Feminine Fire and Kāmakalā Kālī is the Masculine Fire. Lalitā is the transcendental Fire that gives rise to the entire Creation and Kāmakalā Kālī is the Fire immanent and hidden in the Creation that penetrates the Transcendental Fire that is Lalitā. If you observe what I have said well you will see that there is a mutual penetration between Lalitā and Kāmakalā Kālī. If you identify yourself with Kāmakalā Kālī you will penetrate and become Lalitā and then you will become Kāmakalā Kālī again. If you identify yourself with Lalitā you will penetrate and become Kāmakalā Kālī and then you will become Lalitā again. This is continuous. And one who penetrates them penetrates and becomes all.

Namaste, Tīvra. Could you kindly share a spiritual practice to know the Cidagni (Soul Spark), your true Self, and to obtain triple immortal bodies? Perhaps this practice is related to the Aruṭperuñjōti mantra? Please continue to share this precious knowledge with us, your answers are like those of a Divya Rishi, as if Lalita Mahatripurasundari herself is speaking through you. Thank you.

Namaste Prince. Through Ājñācakra you can become the sound and know everything about it; through Anahatacakra you can see the sound and know everything about it; through Muladharacakra you can have the inspiration of the sound and know everything about it. These three are knowledge of sound by vision, identification and inspiration. Now I will tell you about the four levels of speech and Mantras. You have to become the Mantra. "Para" means pure intention without words or thoughts - it manifests the power of the Mantra instantly; "Pashyanti" means almost pure intention; "Madhyama" means mental recitation; "Vaikhari" means verbal recitation. Out of these four, a false person may recite a mantra verbally, but his thought and intention are different from what he is saying. Vaikhari is the level that is most susceptible to falsehood. It is easy to speak or write a lie (Vaikhari). The secret to manifesting the full power of a Mantra lies in pure and unambiguous intention (Para). When your intention becomes pure and unambiguous in alignment with the meaning of the Mantra and the associated God/Goddess, your four levels of speech will become “Para”: Para, Para Pashyanti, Para Madhyama, Para Vaikhari. You will be able to verbally express the divine and unseen things, and no one will dare to say or prove that it is false because everything that arises from “Para” is pure truth. There is no trace of falsehood in “Para” and this is the greatest protection of the Siddhi of a Mantra. You will see false people attaining power in Vaikhari and Madhyama, but Pashyanti and Para are inaccessible to them. That is why they will never obtain Siddhi from any Mantra.